My work and why it's awesomely unified

Meg- you wanted to see pics of my car wraps

You can take a look at some of my work on flickr and realize that a lot of it is inspired by a theme or feel of dirty, inconsistent, grungy, urbaness. If urbaness isn't a word, it is now, and I'm going to work it into popular vernacular. For a professional approach, my style isn't the most formal, or often times appreciated. It's often mistaken for unfinished, amateur, messy, and tough on the eyes, however, it's unmistakable, which is something that seems to occur just in the process of creating it, which is why I've stuck with it. My portfolio examines a lot of on screen work I've done, and also the real life side of it. I try to include pictures of my work out in the real world, business literature, vehicle wraps, billboards, posters, flyers, cards, etc. Sometimes I think it can be the deciding factor for someone whos wondering whether all my stuff merely exists in the digital world, or whether someone actually paid me for services and went through with them to the final step of a real world product, in other words, it makes me look like I have experience. One of the things I pride myself in would be my experience in color. Additive, subtractive, creating and editing ICC's, working with CMS, spectrophotometers, calibration, systemwide color synchronization. I think it's something that hopefully an employer would recognize as an important valuable trait, as I strive to make print and screen as close as possible.